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Heard on the Radio One this morning:

BLINDED BY THE SUN LIGHTS by The Streets - By use of keen observation and dilligently-produced trance backing track, FrankMike Skinner successfully recreates all the emotional trauma of a horrible nightclub experience. By which I mean, I just don't get it.

DON'T STOP by The Beautiful South - more than made up for The Streets, it is a cover of an old track by The S Club 7s inna mellow Jazz stylee. Nice. It has been noted that I am a fan of dreadful punk covers; this is not entirely accurate, what I favour is unusual covers of familiar songs.

These are my beliefs. I appreciate that they are WRONG JUST WRONG, but unlike some people I would rather die for my beliefs than kill for them.

EDITED TO ADD: Today's Scary Go Round seems strangely relevant, but I can't quite pin it down.

Re: Thank you for leaving the knives at home

Date: 2004-09-10 03:18 am (UTC)
From: [identity profile] mrssshhh.livejournal.com
I never leave the knives at home. But sometimes I do tricks with them, rather than cutting flesh from bone.

It's all about resonance. Blinded By The Light leads you recall, re-live & re-imagine events in the past that share something with how the character or something in the song makes you feel. "The Way" by Divine Inspiration, though it only came out this year, stirs up memories of clubbing, parties and times long gone, when I was a very different person. Same with Narcotic Thrust's "I Like It".

What you're seemingly doing is associating memories - a song you listened to a lot in 1996 reminds you of 1996 and you get nostalgic, for good or bad. It's a very different thing to resonance. Associating memories is what I use to remember something. Titian's NWO brief was read and re-read to Static X's "Machine" album, and so I had that running through my head whilst playing the character. Gawain, oddly, was memorised to William Orbit's "Barber's Adagio for Strings" both the original and the Ferry Corsten remix. it soundtracked awain's final battle with Blaine, which made it all the more cinematic for me.

Re: Thank you for leaving the knives at home

Date: 2004-09-10 06:19 am (UTC)
From: [identity profile] mrssshhh.livejournal.com
Simulate by hitting a huge sheet of thin metal with a soft-headed mallet. It's metallic, yet booming.

Re: Thank you for leaving the knives at home

Date: 2004-09-10 05:16 am (UTC)
From: [identity profile] renniek.livejournal.com
he was off his face and didn't realise what he was seeing

He stops being paranoid and worrying about where his mates are and starts going with the flow and enjoying the night. At least that's the impression I got. I certainly wouldn't say it's an anti-drugs song - he's off his face because he wants to be off his face, things are strange but that's something you expect, and often even look forward to, if you're taking class A drugs - some of us have been known to enjoy being wasted ;-)

I enjoyed it, and it reminded me of many nights out clubbing in my dim and distant past. It captures the feeling of the early phase of a night in a club very well

Re: Thank you for leaving the knives at home

Date: 2004-09-10 05:49 am (UTC)
From: [identity profile] renniek.livejournal.com
You see, in the context, I don't think those are sad lyrics - his friends have been a bit inconsiderate, but everything's OK now - he's wasted, and he doesn't mind. It's difficult to describe, but it's definitely not an unhappy state he's in.

Re: Thank you for leaving the knives at home

Date: 2004-09-10 06:27 am (UTC)
From: [identity profile] renniek.livejournal.com
I still don't see it in this light, but I'm finding it hard to explain what I mean. I'll probably try again some time when work is less busy.

Re: Thank you for leaving the knives at home

Date: 2004-09-10 08:33 am (UTC)
From: [identity profile] renniek.livejournal.com
But do you see that it could be seen in this light?

Yes - in fact, thinking about it, that's how I'd *expect* it to be seen by most people who haven't used pills - I think it's an experience that's quite difficult to convey to someone who hasn't had the experience themselves.

I'm not interested in changing people's minds, just explaining my own...

:-) That's exactly what's frustrating me - I can't explain what I mean. Probably it's one of those discussions I find easier face-to-face than in writing.

Re: Thank you for leaving the knives at home

Date: 2004-09-10 05:52 am (UTC)
From: [identity profile] stsquad.livejournal.com
Mufi still remembers you slurring "I can shee why people doosh it" at one of my more debauched parties. Of course I was incapable of speech at the time so you where probably up on points.

The thing about drugs experiences are they are fun but not in a logical way. Logic falls to the wayside when your brain is being mostly goverened by the biochemical balance. Having just listend to the track I concur with Arwel as to how evocotive it is of those osrt of nights.

Re: Thank you for leaving the knives at home

Date: 2004-09-10 06:14 am (UTC)
From: [identity profile] stsquad.livejournal.com
Don't get me wrong, I'm not advocating biochemical experimentation. However Alcohol works the same way in altering your neurochemistry tilting your brain more towards chemistry than rational thought. Its just the mechanisms are different with different drugs (and of course every drug has its own risks).

I think I may still have my parents copy of The Private Life of the Brain hanging around somewhere. She has some interesting theories on the cognative process that is all about the balance between neurochemical state and neuron connection rate. Her main point is the brain needs both to function although the balance changes depending on situation.

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